Oil On Canvas, Real Flavor of Old Masters

All Giovanni Battista Tiepolo 's Paintings
The Painting Names Are Sorted From A to Z


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ID Image  Painting (From A to Z)       Details 
41185  
A Genius on Pegasus Banishing Time, Giovanni Battista Tiepolo
 
 A Genius on Pegasus Banishing Time   mk157 Fresco Diameter
51260  
A Seated Man and a Girl with a Pitcher, Giovanni Battista Tiepolo
 
 A Seated Man and a Girl with a Pitcher   c. 1755 Oil on canvas, 160 x 54 cm
62191  
Abraham and Angels, Giovanni Battista Tiepolo
 
 Abraham and Angels   mk280 Oil on canvas 197 x 151cm
92373  
Abraham und die Engel, Pendant zu  Hagar und Ismael, Giovanni Battista Tiepolo
 
 Abraham und die Engel, Pendant zu Hagar und Ismael   Date Deutsch: um 1732 English: c. 1732 Medium oil on canvas Dimensions Deutsch: 140 X 120 cm
51259  
Adoration of the Magi, Giovanni Battista Tiepolo
 
 Adoration of the Magi   1753 Ol on canvas, 408 x 210 cm
84142  
Alexander der Grobe und Campaspe im Atelier des Apelles, Giovanni Battista Tiepolo
 
 Alexander der Grobe und Campaspe im Atelier des Apelles   c. 1725-1726 Medium Oil on canvas Dimensions Deutsch: 54 x 74 cm cjr
87961  
Alexander der GroBe und Campaspe im Atelier des Apelles, Giovanni Battista Tiepolo
 
 Alexander der GroBe und Campaspe im Atelier des Apelles   Oil on canvas Dimensions Deutsch: 54 x 74 cm cyf
62182  
Alexander in the studio, Giovanni Battista Tiepolo
 
 Alexander in the studio   mk280 Oil on canvas 57.4 x 84.2cm
52206  
Allegory of Merit Accompanied by Nobility and Virtue, Giovanni Battista Tiepolo
 
 Allegory of Merit Accompanied by Nobility and Virtue   1757-58 Fresco, 1000 x 600 cm
79659  
Allegory of the Planets and Continents, Giovanni Battista Tiepolo
 
 Allegory of the Planets and Continents   185.4 x 139.4 cm Oil on canvas 185.4 x 139.4 cm) cjr
83661  
Allegory of the Planets and Continents, Giovanni Battista Tiepolo
 
 Allegory of the Planets and Continents   1752(1752) Medium Oil on canvas Dimensions 185.4 x 139.4 cm cyf
86048  
Anbetung der Heiligen Drei Konige, Giovanni Battista Tiepolo
 
 Anbetung der Heiligen Drei Konige   Date 1753(1753) Medium Oil on canvas Dimensions 425 x 211 cm (167.3 x 83.1 in) cjr
51305  
Angelica Carving Medoro's Name on a Tree, Giovanni Battista Tiepolo
 
 Angelica Carving Medoro's Name on a Tree   1757 Fresco, 20 x 160 cm
62179  
Anthony portrait, Giovanni Battista Tiepolo
 
 Anthony portrait   mk280 Oil on canvas 102 x 90cm
62177  
Apollo and Daphne, Giovanni Battista Tiepolo
 
 Apollo and Daphne   mk280 Oil on canvas 96 x 79cm
51270  
Apollo and the Continents, Giovanni Battista Tiepolo
 
 Apollo and the Continents   1752-53
51271  
Apollo and the Continents, Giovanni Battista Tiepolo
 
 Apollo and the Continents   1752-53
63761  
Apollo and the Continents, Giovanni Battista Tiepolo
 
 Apollo and the Continents   1752-53 Fresco, 1900 x 3050 cm Stairwell of the Residenz, W?rzburg The picture shows an overall view of the ceiling, photographed from below. The perspectival distortion at the edges of the overall view of the ceiling fresco tell us that this was never intended as a vantage point for the visitor. Instead, the fresco was to open out to the viewer as he ascended the staircase. Apollo is portrayed in the centre of the heavens, Venus and Mars rest on a cloud below him, while the zodiac appears on a band behind them with the four seasons to the left. The Horae can be recognized by their butterfly wings. The upper part of the fresco is meant to be viewed from the opposite angle and shows Mercury and, a little below him, the gods Diana, Jupiter and Saturn. The composition of the ceiling fresco takes into account the many viewpoints available to the visitor, who changes direction several times during his climb up the stairs, and who cannot take in the whole fresco at a glance. Tiepolo's achievements in composing this fresco are twofold: he takes into consideration the way in which only parts of the fresco are visible to the viewer as he climbs, and he presents independent pieces which nevertheless fuse into a harmonic whole. From the foot of the stairs the viewer first sees the continent of America, whose personification points with outstretched arm to a banner showing the mythical creature the griffin, a first allusion to the client. On entering the stairwell, a wider picture is revealed, giving a view of the dramatic cloud formations which push open the skies, and of the figure of Apollo, bathed in radiant light. Halfway up the first flight of stairs, more of the long sides of the fresco are revealed, with Africa on the right and Asia on the left. The groups of figures await the visitor almost like a court society. After this first flight, the viewer must change direction and now sees the portrayal of Europe for the first time on the short side opposite. The flourishing arts are symbolized here, partly personified by the artists involved in the construction of the Residence. Above them, the Prince-Bishop's portrait medallion is borne aloft through the heavens by geni and allegorical figures. Like Apollo, who cannot be seen from here, it too lets its light shine forth over the world. In comparison to the other Continents, the Europa fresco is statically conceived. This, and the sometimes frontal arrangement of its figures, causes the viewer to pause and so constitutes a first high point on the way to the Imperial Hall. The fresco was, therefore, never laid out with an overall view in mind, and the criticisms of the largely empty areas of sky at its centre which were later to be frequently voiced, are thus unfounded. Instead we are captivated by the harmonic perfection through which both architecture and painted decoration serve the same purpose: the magnificent staging of the ceremonial path through the Residence.Artist:TIEPOLO, Giovanni Battista Title: Apollo and the Continents Painted in 1701-1750 , Italian - - painting : mythological
86287  
Apollo and the Continents, Giovanni Battista Tiepolo
 
 Apollo and the Continents   between 1752(1752) and 1753(1753) Medium Oil on fresco cyf
61037  
Apotheosis of Spain in Royal Palace of Madrid., Giovanni Battista Tiepolo
 
 Apotheosis of Spain in Royal Palace of Madrid.   Apotheosis of Spain in Royal Palace of Madrid.
97864  
Boy Holding a Book, Giovanni Battista Tiepolo
 
 Boy Holding a Book   oil on canvas, New Orleans Museum of Art Date c. 1747-50 cyf
53840  
Brollopsallegori, Giovanni Battista Tiepolo
 
 Brollopsallegori   mk234 1758
20704  
Carnival Scene or the Minuet (mk05), Giovanni Battista Tiepolo
 
 Carnival Scene or the Minuet (mk05)   Canvas 32 x 43 1/2''(81 x 111 cm)Pendant to The Tooth Puller Collection of Count Algarotti,Venice 1779;Beaqueathed in 1938
63767  
Christ Carrying the Cross, Giovanni Battista Tiepolo
 
 Christ Carrying the Cross   1737-38 Oil on canvas, 450 x 517 cm Sant'Alvise, Venice The subject of the painting is Christ's carrying of the cross to the hill of Golgotha, which rises up in the centre of the picture as a tall rock, the crosses already erected upon it. Directly beneath it in the foreground we see Christ in a flame red robe. He has collapsed under the heavy weight of the cross. To the right, Veronica, holding the sudarium, turns away from the dramatic scene, visibly moved. To the left, the two thieves likewise condemned to crucifixion are being led forward. In the exact centre of the picture, between Christ's cross and the hill of Golgotha, and directly facing the viewer, are the figures of Jesus' disciples, together with Mary and Mary Magdalene. Brightly illuminated, they stand out symbolically from the other figures.Artist:TIEPOLO, Giovanni Battista Title: Christ Carrying the Cross Painted in 1701-1750 , Italian - - painting : religious
20709  
Christ with the Woman Taken in Adultery (mk05), Giovanni Battista Tiepolo
 
 Christ with the Woman Taken in Adultery (mk05)   Canvas 44 x 70 1/2''(112 x 179 cm)Bequeathed in 1961;entered the Louvre in 1977 R.F
41186  
Cleopatra-s Banquet, Giovanni Battista Tiepolo
 
 Cleopatra-s Banquet   mk157 1746-47 Fresco 650x300cm
86460  
Danae und Zeus, Giovanni Battista Tiepolo
 
 Danae und Zeus   c. 1736 Medium Oil on canvas Dimensions Deutsch: 41 x 53 cm cjr
83411  
Das Bankett der Cleopatra, Giovanni Battista Tiepolo
 
 Das Bankett der Cleopatra   1743-1744 Medium Oil on canvas Dimensions Deutsch: 249-349 cm cyf
61032  
Death of Hyacinth., Giovanni Battista Tiepolo
 
 Death of Hyacinth.   Death of Hyacinth.
98248  
Der Raub der Europa, Giovanni Battista Tiepolo
 
 Der Raub der Europa   oil on canvas Dimensions 99 x 134 cm cyf
41174  
Diana and Actaeon, Giovanni Battista Tiepolo
 
 Diana and Actaeon   mk157 1720-22 Oil on canvas 10x135cm
93686  
Die Aussetzung des kleinen Moses in einem Binsenkorb im Wasser, Fragment,, Giovanni Battista Tiepolo
 
 Die Aussetzung des kleinen Moses in einem Binsenkorb im Wasser, Fragment,   c. 1740 Medium oil on canvas cjr
90190  
Die Enthauptung Johannes des Taufers, Giovanni Battista Tiepolo
 
 Die Enthauptung Johannes des Taufers   c. 1732 Medium oil on canvas cjr
88092  
Die Verstobung der Hagar, Giovanni Battista Tiepolo
 
 Die Verstobung der Hagar   1719(1719) Medium Oil on canvas Dimensions Deutsch: 96 x 136 cm cjr
51264  
Discovery of the True Cross, Giovanni Battista Tiepolo
 
 Discovery of the True Cross   c. 1745 Oil on canvas
41156  
Donation of the Rosary, Giovanni Battista Tiepolo
 
 Donation of the Rosary   mk157 1738-39 Fresco 1400x450cm
63764  
Education of the Virgin, Giovanni Battista Tiepolo
 
 Education of the Virgin   1732 Oil on canvas S. Maria della Consolazione (Fava), Venice The figures in this altarpiece are portrayed more as the heroines of noble dramas than as saints. They combine true pathos with elegant sensuality, as if they were creatures of some higher human species. At the same time, however, they are firmly linked to our sense of everyday life through the descriptive details which are so naturalistic as to border on trompe-l'oeil. In the centre of the representation, in front of a magnificent architectural backdrop, stands Mary as a young girl, reading from an open book, and instructed by her mother, who sits next to her. Her father, standing to her right, is deep in prayer and has his eyes raised towards Heaven. What is striking about the composition, is the diagonal line which runs from the three angels' heads beneath the book to the three large angels above Mary, and which symbolizes the way to the Kingdom of Heaven.Artist:TIEPOLO, Giovanni Battista Title: Education of the Virgin Painted in 1701-1750 , Italian - - painting : religious
91232  
Ein junger Fahnentrager, Giovanni Battista Tiepolo
 
 Ein junger Fahnentrager   first half of 18th century Medium oil on canvas Dimensions 87 x 71,5 cm cjr
29986  
Erection of a Statue to an Emperor, Giovanni Battista Tiepolo
 
 Erection of a Statue to an Emperor   mk67 Oil on cavnas 163 7/8x68 1/4in Uffizi,Gallery
88477  
Erscheinung der Madonna vor dem Hl. Philippus Neri, Giovanni Battista Tiepolo
 
 Erscheinung der Madonna vor dem Hl. Philippus Neri   1739-1740 Medium Oil on canvas Dimensions 360 x 182 cm (141.7 x 71.7 in) cjr
90999  
Erziehung Mariens, Giovanni Battista Tiepolo
 
 Erziehung Mariens   c. 1732 Medium oil on canvas Dimensions Deutsch: 362 x 200 cm cjr
90756  
Eteokles und Polyneikes, Giovanni Battista Tiepolo
 
 Eteokles und Polyneikes   c. 1725-1730 Medium oil on canvas Dimensions Deutsch: 383 x 182 cm cjr
51300  
Eurybates and Talthybios Lead Briseis to Agamemmon, Giovanni Battista Tiepolo
 
 Eurybates and Talthybios Lead Briseis to Agamemmon   1757 Fresco, 300 x 280 cm
62178  
Giovanni II as, Giovanni Battista Tiepolo
 
 Giovanni II as   mk280 Oil on canvas 271 x 182cm
63772  
Glory of Spain, Giovanni Battista Tiepolo
 
 Glory of Spain   1762-66 Fresco, 2700 x 1000 cm Throne Room, Palacio Real, Madrid The loading of a European ship with the treasures of the American continent is depicted in a direct allusion to the discovery of America by Christopher Columbus and to the Spanish conquest of the New World in the l6th century. The two Red Indians in the foreground, who throw themselves to the ground in front of the ship, symbolize the Europeans' victory over the natives.Artist:TIEPOLO, Giovanni Battista Title: Glory of Spain (detail) Painted in 1701-1750 , Italian - - painting : mythological
63773  
Glory of Spain, Giovanni Battista Tiepolo
 
 Glory of Spain   1762-66 Fresco, 2700 x 1000 cm Throne Room, Palacio Real, Madrid The sea-goddess Thetis hovers on a cloud, together with her spouse Oceanus, and holds aloft a shell filled with treasures. Tritons and Nereids, who are meant to symbolize the riches of the sea, accompany the scene. The attempt to bridge the austere Classical golden frame using the group of figures and the orange tree at the lower edge of the picture (possibly a personification of the Province of Aragon), and to create the typical connection between the fresco and the space occupied by the viewer does not succeed here.Artist:TIEPOLO, Giovanni Battista Title: Glory of Spain (detail) Painted in 1701-1750 , Italian - - painting : mythological
33802  
Hagar and Ismael in the Widerness, Giovanni Battista Tiepolo
 
 Hagar and Ismael in the Widerness   mk86 c.1732 Oil on canvas 140x120cm Venice,Scuola di San Rocco
21925  
Hagar and Ismael in the Widerness (mk08), Giovanni Battista Tiepolo
 
 Hagar and Ismael in the Widerness (mk08)   c.1732 Oil on canvas 140x120cm Venice,Scuola di San Rocco
89247  
Hagar und Ismael, Pendant zu, Giovanni Battista Tiepolo
 
 Hagar und Ismael, Pendant zu   c. 1732 Medium oil on canvas Dimensions Deutsch: 140 x 120 cm cjr
92292  
Hannibal betrachtet den Kopf des Hasdrubal, Giovanni Battista Tiepolo
 
 Hannibal betrachtet den Kopf des Hasdrubal   oil on canvas Dimensions Deutsch: 383 X 182 cm cyf
87551  
Hannibal betrachtet den Kopf des Hasdrubal, aus Gemaldezyklus zur romischen Geschichte fur den Palazzo Dolfin in Venedig, Giovanni Battista Tiepolo
 
 Hannibal betrachtet den Kopf des Hasdrubal, aus Gemaldezyklus zur romischen Geschichte fur den Palazzo Dolfin in Venedig   c. 1725-1730 Medium Oil on canvas Dimensions Deutsch: 383 x 182 cm cjr
63765  
John the Baptist Preaching, Giovanni Battista Tiepolo
 
 John the Baptist Preaching   1732-33 Fresco, 350 x 300 cm Cappella Colleoni, Bergamo The impressive figure of John the Baptist, delivering his sermon with raised forefinger from the top of a rock in the landscape, dominates the right-hand side of the picture. His cross staff and the lamb at his feet refer to the fate of Christ. The left-hand side of the picture is almost completely taken up by men, women and children, who listen spellbound to the sermon. The young woman placed in the very centre of the picture breast-feeding her child, who thus conforms to the standardized portrayal of the Madonna and Child, can be understood as an allusion to the birth of Christ, which is the subject of John's sermon.Artist:TIEPOLO, Giovanni Battista Title: John the Baptist Preaching Painted in 1701-1750 , Italian - - painting : religious
62176  
Joseph received the hand of Pharaoh, Central, Giovanni Battista Tiepolo
 
 Joseph received the hand of Pharaoh, Central  
74987  
Junge Frau mit Papagei, Giovanni Battista Tiepolo
 
 Junge Frau mit Papagei   c. 1758-1760 Oil on canvas cjr
76744  
Junge Frau mit Papagei, Giovanni Battista Tiepolo
 
 Junge Frau mit Papagei   English: c. 1758-1760 Medium Oil on canvas cyf
63759  
Jupiter and Dana, Giovanni Battista Tiepolo
 
 Jupiter and Dana   1736 Oil on canvas Universitet Konsthistoriska Institutionen, StockholmArtist:TIEPOLO, Giovanni Battista Title: Jupiter and Dana? Painted in 1701-1750 , Italian - - painting : mythological
70765  
konsul lucius brutus dod och hannibal igenkannande hasdrubals huvud, Giovanni Battista Tiepolo
 
 konsul lucius brutus dod och hannibal igenkannande hasdrubals huvud   1725-30 pa duk vardera 182x383cm se
70766  
konsul lucius brutus dod och hannibal igenkannande hasdrubals huvud, Giovanni Battista Tiepolo
 
 konsul lucius brutus dod och hannibal igenkannande hasdrubals huvud   1725-30 pa duk vardera 182x383cm se
62186  
Lantos s death, Giovanni Battista Tiepolo
 
 Lantos s death   mk280 Oil on canvas 287 x 232cm
51267  
Last Communion of St Lucy, Giovanni Battista Tiepolo
 
 Last Communion of St Lucy   1747-48 Oil on canvas, 222 x 101 cm
71959  
Le martyr de Saint Barthelemy Huile, Giovanni Battista Tiepolo
 
 Le martyr de Saint Barthelemy Huile   Le martyr de Saint Barthelemy Huile 1722 par Giovanni Tiepolo, San Stae, Venise
89262  
Madonna mit Hl. Katharina, Hl. Rosa, die das Kind halt und der hockenden Hl. Agnes, Giovanni Battista Tiepolo
 
 Madonna mit Hl. Katharina, Hl. Rosa, die das Kind halt und der hockenden Hl. Agnes   c. 1740 Medium oil on canvas Dimensions Deutsch: 340 x 168 cm cjr
52190  
Madonna of the Goldfinch, Giovanni Battista Tiepolo
 
 Madonna of the Goldfinch   c. 1760 Oil on canvas
41056  
Maeccenas Presenting the Liberal Arts to Augustus, Giovanni Battista Tiepolo
 
 Maeccenas Presenting the Liberal Arts to Augustus   mk159 1743 Oil on canvas 69.5x89cm
62181  
Mandolin played the young woman, Giovanni Battista Tiepolo
 
 Mandolin played the young woman   mk280 Oil on canvas 92.1 x 74.9cm
1615  
Mercury Appearing to Aeneas, Giovanni Battista Tiepolo
 
 Mercury Appearing to Aeneas   1757 Villa Valmarana, Vicenza
41172  
Miracle of the Holy House of Loreto, Giovanni Battista Tiepolo
 
 Miracle of the Holy House of Loreto   mk157 1744-45 Oil on canvas 1744-45
62185  
NA ER where more and Amida in the garden, Giovanni Battista Tiepolo
 
 NA ER where more and Amida in the garden   mk280 Oil on canvas 186.8 x 259.9cm
86750  
Neptun bietet der Stadt Venedig Opfergaben, Giovanni Battista Tiepolo
 
 Neptun bietet der Stadt Venedig Opfergaben   Date 1748-1750 Medium Oil on canvas Dimensions Deutsch: 135 x 275 cm cjr
91632  
Neptun bietet der Stadt Venedig Opfergaben, Giovanni Battista Tiepolo
 
 Neptun bietet der Stadt Venedig Opfergaben   1748-1750 Medium oil on canvas Dimensions Deutsch: 135 X 275 cm cyf
41129  
Neptune Bestowing Gifts upon Venice, Giovanni Battista Tiepolo
 
 Neptune Bestowing Gifts upon Venice   mk157 1748-50 Oil on canvas 135x275cm
62184  
Opening time the truth, Giovanni Battista Tiepolo
 
 Opening time the truth   mk290 Oil on canvas 231 x 167cm
90777  
Opfer der Iphigenie, Giovanni Battista Tiepolo
 
 Opfer der Iphigenie   Mid-18th century Medium oil on canvas Dimensions Deutsch: 53 x 41 cm cjr
62175  
Our Lady of the education, Giovanni Battista Tiepolo
 
 Our Lady of the education   mk280 Oil on canvas 262 x 200cm
41158  
Pala delle Tre Sante, Giovanni Battista Tiepolo
 
 Pala delle Tre Sante   mk157 c.1748 Oil on canvs 340x168cm
31786  
Perseus and andromeda, Giovanni Battista Tiepolo
 
 Perseus and andromeda   mk76 Painted probably in 1730 Oil on paper,affixed to canvas 20 3/8x16in
38194  
Perseus and Andromeda, Giovanni Battista Tiepolo
 
 Perseus and Andromeda   mk29 c.1730 Oil on paper affixed to canvas 51.8x40.6cm
62183  
Pilgrims son, Giovanni Battista Tiepolo
 
 Pilgrims son   mk280 Oil on canvas 228 x 160cm
41216  
Portrait of A Procurator and Admiral From the Dolfin family, Giovanni Battista Tiepolo
 
 Portrait of A Procurator and Admiral From the Dolfin family   mk157 1749-50 Oil on canvas 235x158cm
1619  
Portrait of Antonio Riccobono, Giovanni Battista Tiepolo
 
 Portrait of Antonio Riccobono   1743-45 Pinacoteca dell'Accademia dei Concordi, Rovigo
88969  
Portrat des Antonio Riccobono, Fragment, Giovanni Battista Tiepolo
 
 Portrat des Antonio Riccobono, Fragment   c. 1745 Medium oil on canvas Dimensions Deutsch: 120 x 90 cm cjr
77547  
Portrat eines Prokurators, Giovanni Battista Tiepolo
 
 Portrat eines Prokurators   ca. 1750(1750) Oil on canvas 235 ?? 158 cm (92.5 ?? 62.2 in) cjr
20706  
Presenting Christ to the People (Ecce Homo) (mk05), Giovanni Battista Tiepolo
 
 Presenting Christ to the People (Ecce Homo) (mk05)   Canvas 26 x 17''(66 x 43 cm)Given in 1949;entered the Louvre in 1974
28685  
Queen Zenbia before Emperor Aurelian, Giovanni Battista Tiepolo
 
 Queen Zenbia before Emperor Aurelian   mk61 c.1717 Oil on canvas 250x500cm
53841  
Queen Zenobia talk to their soldiers, Giovanni Battista Tiepolo
 
 Queen Zenobia talk to their soldiers   mk234 about 1730 262x366cm
33800  
Rachel Hiding the Idols from her Father Laban, Giovanni Battista Tiepolo
 
 Rachel Hiding the Idols from her Father Laban   mk86 1726-1728 Fresco,Height c.500cm Width c.400cm Udine,Palazzo Arcivescovile
21923  
Rachel Hiding the Idols from her Father Laban (mk08), Giovanni Battista Tiepolo
 
 Rachel Hiding the Idols from her Father Laban (mk08)   1726-1728 Fresco,height 500x400cm Udine,Palazzo Arcivescovile
20705  
Rebecca at the Well (mk05), Giovanni Battista Tiepolo
 
 Rebecca at the Well (mk05)   Canvas 33 x 41''(84 x 105 cm)Given by the Comtesse Bismarck in 1975;entered the Permanent collection in 1981 R.F
51306  
Rinaldo Abandoning Armida, Giovanni Battista Tiepolo
 
 Rinaldo Abandoning Armida   1757 Fresco, 220 x 310 cm
29989  
Rinaldo Abandons Armida, Giovanni Battista Tiepolo
 
 Rinaldo Abandons Armida   mk67 Oil on canvas 27 9/16x52in Uffizi,Gallery
33799  
Rinaldo and Armida, Giovanni Battista Tiepolo
 
 Rinaldo and Armida   mk86 1753 Oil on canvas 104.8x143cm Munich,Bayerische Staatsgemaldesammlungen
21922  
Rinaldo and Armida (mk08), Giovanni Battista Tiepolo
 
 Rinaldo and Armida (mk08)   1753 Oil on canvas 104.8x143cm Munich,Bayerische Staatsgemaldesammlungen
29988  
Rinaldo Sees Himself in Ubaldo's Shield, Giovanni Battista Tiepolo
 
 Rinaldo Sees Himself in Ubaldo's Shield   mk67 Oil on canvas 27 3/16x52in Uffizi,Gallery
90188  
Rinaldo und Armida werden von Ubaldo und Carlo uberrascht, Giovanni Battista Tiepolo
 
 Rinaldo und Armida werden von Ubaldo und Carlo uberrascht   1755(1755) Medium oil on canvas Dimensions Deutsch: 187 x 260 cm cjr
91210  
Rinaldo und Armida, Entwurf fur gleichnamiges Munchner Gemalde, Giovanni Battista Tiepolo
 
 Rinaldo und Armida, Entwurf fur gleichnamiges Munchner Gemalde   c. 1753 Medium oil on canvas Dimensions Deutsch: 39 x 62 cm cjr
73376  
Saint barthelemy, Giovanni Battista Tiepolo
 
 Saint barthelemy   Date of birth/death 5 March 1696(1696-03-05) 27 March 1770 cyf
62190  
Saint Joseph and the Son, Giovanni Battista Tiepolo
 
 Saint Joseph and the Son   mk280 Oil on canvas 63 x 38cm
43272  
Saints Maximus and Oswald, Giovanni Battista Tiepolo
 
 Saints Maximus and Oswald   mk170 circa 1745 Oil on canvs 58.4x32.4cm
58457  
Samson, Giovanni Battista Tiepolo
 
 Samson   mk261 years 1660 Oil Painting on canvas 128 x 97.5 cm
33801  
Sarah and the Archangel, Giovanni Battista Tiepolo
 
 Sarah and the Archangel   mk86 1726-1728 Udine,

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Giovanni Battista Tiepolo
Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.



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